WW1 Knitting update

Do you remember my April post about knitting for a community film project? Well, a couple of weeks ago I (and JTH, the cast, crew and over 100 knitters) went to the premiere.  There was such a sense of excitement in the cinema, in fact, so exciting it was that I forgot to take any photographs, so I have borrowed this one from Stewart Wall.com

I talked about how the film (documenting real lives and losses in a Lincolnshire village during WW1) came about and how I became involved in my April blog post it is a lovely story and as well as reading about it in my previous post you can follow links from there to the film company's website which has been considerably updated since April.

I think that there are still discussions going on about how widely the film will be shown and whether it will all be available on line, but you can watch three little clips on YouTube. The film, focusing on the lives of the Crowder family, is beautifully drawn, the music wonderful and there are moments of real sadness.

But this is a knitting blog and I want to tell you about the work done by the huge team of knitters. Nearly all were recruited by word of mouth after the costumier of the film tweeted a plea for knitters. Elizabeth Lovick of Northern Lace and many other knitters responded and a Facebook group was formed.  Elizabeth with her encyclopaedic knowledge of knitting led the group of knitters who could make costumes for the film project.  The list of knitters on the film's credits was the longest list of all, well over 100, making things from tiny dolls clothes to coats. Practically every item worn in the film is on show in The Collection, a museum and exhibition space in the centre of Lincoln until 6 December

There are literally dozens of sweaters, (you can just see the brown waistcoat I knitted on the left of the third row back)...

sweaters and cardigans in all sizes

over 20 shawls, I also made the dark pink shawl in the middle on the right (more of that later)...

All the shawls

and entire outfits displayed on mannequins

Manequins in full costume

Although as a knitter I felt that the knitting was the star, there are some other lovely things to see at the exhibition, like  Violet's diary, below.  She was a VAD, nursing wounded soldiers in the local hospital, marrying one of the Crowder brothers after the war.

Violet Crowder's war time diary

Not all the costumes were made new for the film, these stunning blouses are vintage

fabulous lawn blouses with beautiful lace and hand stitching

I loved these small items, can you see the rifleman's gloves in the bottom right hand corner, that have thumb and trigger finger exposed?

Hats and gloves made to army regulation patterns

And now, for more excitement,  over 70 of the patterns that were developed for the film are available in a fabulous book, Centenary Stitches.  My copy arrived yesterday!

All our work, in print

But it's not just a book of knitting patterns, it also tells the story of the Crowder family, central to the  story, and lots about the making of the film and the search for contemporary knitting patterns.  I love the way the photograph below of Grace Crowder, the star of the film and the narrator... 

Grace Crowder

 led to Elizabeth Lovick designing a new pattern which closely follows the design of the original

Close up of Grace Crowder's cardigan, designed by Elizabeth Lovick (I love the collar detail)

There is a lovely photograph of the shawl I made in the book too

Pine cones shawl

If you buy this book (and I hope you do) a proportion of the proceeds will go to Combat Stress, the veterans mental health charity and the restoration fund for Thimbleby Church, the church at the centre of the village where the Crowders lived and one of the sets used in the film. You can buy it directly from the Northern Lace website and eventually (when a couple of glitches have been sorted) from Amazon UK as well as Amazon.com in the USA, In fact please do buy it from Northern Lace as this will mean more money goes to these two worthwhile charities

I have loved joining in with this project, it has felt so worthwhile, and lovely to be a part of something big.  Nice too, to see all we knitters acknowledged in the credits of the book as well as the film.  We intend to keep the Facebook page up for a while so that we can show off the projects we have knitted for ourselves from the book.  I am beginning with a hat.

xx

C

WW1 knitting

My blogging life is fast becoming like my knitting life - fuller and fuller of WIPS.  I blog about something or other and then, at the end, just mention I happen to be embarking on another exciting project.  But the next blog post? ... nothing, nada, nix.  I forget to follow up and having whetted appetites say no more.

The Somme 1917 watercolour painted by J Brunt a private soldier

Today was no different.  I had an idea as I was running some early morning errands (which, after I chatted in shops, forgot something, went back and then met two neighbours it was nearly lunch time and well into the afternoon as I sat down to blog).  I thought I would blog about going to knitting festivals (L'aiguille en Fete and Unravel to date, WonderWool and Unwind to come).  And then I remembered at the end of last week's post I posted a picture of a manly waistcoat in a conservative colour (not my usual style) and a promise of more next week.  So I will keep my promise and put off yarn related travels till another day and tell you about Tell Them Of Us

I heard about this exciting project on Annie's Blog.  A community project making a film about the lives of real people who lived through, and suffered the effects of, WW1. Because the people depicted in the film actually existed there are photographs of them and as near as possible the actors will wear costumes like those worn by the men women and children of 1914 - 1918.  That is where knitting comes in, so many hand knitted garments and so a plea went out to knitters to volunteer to knit for the wardrobe.  They now have more than 200 volunteer knitters and over 90 of us have finished our first garments.  Some of the patterns are contemporary with the war and some have been created by the clever co-ordinators of the project just from the photographs.

The yarn for my allotted project arrived in the post just before I left for my holiday

Lovely BFL dyed a lovely soft brown

The pattern was e mailed and I rushed to print it off and swatch before I left.  Patterns of the period can be a lot less detailed than the modern ones we are all used to, there is also less use of standardised terms.  When you are knitting up vintage patterns it is advisable to read right through before putting yarn around your needles.  

In this case there was no mention on how the borders were to be worked.  The usual way of finishing armholes and button bands were not mentioned at all (except for the left front that simply said 'work 6 button holes').  You need to use common sense and scrutinise the photograph or sketch very closely as well as the written word.  The stitch used for the back is plain stocking stitch and for the front a sort of rib with one row knit and one p4k1.  Without some sort of edging stitch this waistcoat was going to curl!  So I incorporated a two stitch garter stitch border along both fronts and around the armholes.  This kept the work flat after blocking.  However, it did not work for the back neck that due to some short rows actually had an unusual upward curve  and, with my two rows of garter stitch mod, just gaped in an ugly fashion.  So I unpicked this bit and finished in stocking stitch concluding that the back neck was meant to curve outwards forming a little draught proof roll collar.  Apart from being a little bulky (the yarn is aran weight) it was the perfect simple project to take on holiday

Sitting on our balcony sewing up the waistcoat

The only other modification that I incorporated was on the pockets.  The pattern instructs to knit the garter stitch top and then cast off for the opening and cast on again on the next row before carrying on up the front, later picking up from the cast on edge and knitting the pocket lining downwards.  Instead I knitted the linings separately first, incorporating the live stitches in the next row after the cast off instead of casting on.  This meant there was slightly less bulk at the pocket edge.

You have already seen the shot of the waistcoat blocked and ready to post, but here it is again

Ready for William Crowder

And the watercolour at the top of the picture?  My Grandfather William Acaster was a volunteer and served throughout WW1, mostly on the Somme.  One of the few working men of the time who could drive a motorised car he was immediately employed as a driver in the army.  Perhaps this saved his life, as far as I know he never actually 'went over the top'.  When my grandmother died in the 1990s an old sketchbook was found in the back of a cupboard.  Inside the front cover was written

Drawings by

G Percival & L Hardy

Book property of R W Acaster and all above mentioned

Full privates

with pay, don't forget it

Some Soldiers on the Somme

La Guerre 1916 - 1917

The book contains cartoons, mostly in pencil ridiculing German soldiers and British Officers, two water colours of Northern France and one or two satirical cartoons from the 1920s.  It is still a bit of a mystery, not all the drawings are by Percival or Hardy, the watercolours by someone called Brunt and several are not signed, perhaps they are by my grandfather.

xx

c

The Military Moustache 27/2/17